Joan Miró

Book review by Deane Barker tags: art, joan-miro

This a classic art coffee table book. It’s huge – 11 x 14, I think, and it weighs maybe 10 pounds? It’s the kind of book you set on your coffee table just to look at.

(True story: when I first picked it up at a used bookstore in Minneapolis, I aggravated a back injury, forcing me to withdraw from an upcoming CrossFit compeition.)

But I “read” it. I put that verb in quotes because this isn’t really “readable,” in the classic sense.

It had four major parts to it:

I read the first part, the essay. It was maybe 50 pages. It went from his birth to sometime in the 40s, which is interesting because he lived until 1983, and seemed to do a fair amount of work later in life, so I have no idea why it cut off early. It was interesting, if a little dry.

I then looked through every single page of his artwork, multiple times. They were in chronological order, and you could get a real-sense for how his style changed over time. I learned that his “Constellation Series” are 24 works most closely associated with his style.

I skimmed the timeline and provenance sections. That’s mainly reference, I think.

It was a good experience. The biggest problem is that the book is simply unwieldy. It’s so big, that it’s hard to physically manhandle when you’re looking through (and where do you put it when you’re not reading it – I dominated the little table next to my reading chair, and it was hard to balance it on other stuff).

Book Info

Carol Lanchner
484
  • I have read this book. According to my records, I completed it on .
  • A hardcover copy of this book is currently in my home library.

Here are some notes I took on the acquisition of this book:

I bought this at a used bookstore in St. Paul when I took Isabella up to see Harry Styles. It is so big, that I aggravated a pulled muscle in my back when I first picked it up.

This is item #84 in a sequence of 811 items.

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