<rss>
  <channel>
    <title>Deane Barker</title>
    <description>This is the personal website of Deane Barker -- a Christian, husband, father, grandfather, and content technology specialist from Sioux Falls, South Dakota, USA.</description>
    <link>https://live.deanebarker.net/</link>
    <item>
      <title>On Self-Improvement...</title>
      <link>https://live.deanebarker.net/tech/linkedin/self-improvement/</link>
      <description>&lt;p&gt;I&amp;rsquo;ve never been a big Tim Ferris fan. &amp;ldquo;The Four-Hour Work Week&amp;rdquo; just kind of pissed me off, really.&lt;/p&gt;
&lt;p&gt;But this is a good article, where I feel like he calls himself to account.&lt;/p&gt;
&lt;p&gt;[The Self-Help Trap: What 20+ Years of &amp;ldquo;Optimizing&amp;rdquo; Has Taught Me])(https://tim.blog/2026/03/04/the-self-help-trap/)&lt;/p&gt;
&lt;p&gt;&amp;ldquo;You can spend your whole life preparing for, instead of playing, the game of life. But why would anyone, including yours truly, succumb to this? … Subconsciously, it spares you from the messiest but most rewarding game of all: human interaction.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;Life is really messy, and we (me, and yes, you too) generally suck. We&amp;rsquo;re irrational about some things, we have bad habits, we&amp;rsquo;re inconsistent, etc. etc. etc.&lt;/p&gt;
&lt;p&gt;I get tired of people claiming they can remove all the negative aspects of the human condition. Because they can&amp;rsquo;t. And when someone tries to follow their advice and fails, they think it&amp;rsquo;s a deeper problem with them, rather than with the stupidity of the advice itself.&lt;/p&gt;
&lt;p&gt;Someone once told me that &amp;ldquo;guilt&amp;rdquo; is when you think, &amp;ldquo;I did something bad.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;But &amp;ldquo;shame&amp;rdquo; is when you extend that thought with, &amp;ldquo;…because I am a bad person.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;Too often, the self-help addiction takes guilt and turns it into shame.&lt;/p&gt;</description>
      <pubDate>Wed, 25 Mar 2026 00:00:00 -0500</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/tech/linkedin/self-improvement/</guid>
    </item>
    <item>
      <title>Book Review: In the Beginning Was Information</title>
      <link>https://live.deanebarker.net/library/titles/in-the-beginning-was-information/</link>
      <description>&lt;section class="postscript"&gt;
&lt;hgroup class="ps"&gt;
&lt;h2&gt;Reread&lt;/h2&gt;

&lt;p class="date"&gt;Added on &lt;time datetime="2026-03-22"&gt;March 22, 2026&lt;/time&gt;&lt;/p&gt;

&lt;/hgroup&gt;

&lt;p&gt;So, this is actually a &lt;em&gt;reread&lt;/em&gt;, even thought I didn&amp;rsquo;t have any notes back when I read it for the first time (probably in 2010, or so?). I do remember this was recommended to me by a guy I sat next to on a plane. He was reading the Bible, and we got into a discussion about that, then realized we were both in IT, and he recommended this book.&lt;/p&gt;
&lt;p&gt;I reread the book because I was hoping I would get some amazing insight from it that I missed the first time, but the basic message is the same: it&amp;rsquo;s an attempt to prove the existence of God via &lt;a href="https://en.wikipedia.org/wiki/Claude_Shannon"&gt;Claude Shannon&amp;rsquo;s&lt;/a&gt; &lt;a href="https://en.wikipedia.org/wiki/Information_theory"&gt;information theory&lt;/a&gt;.&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;Disclaimer: I&amp;rsquo;m a bit of a Claude Shannon fanboy. I loved &lt;a href="https://www.youtube.com/watch?v=E3OldEtfBrE"&gt;this movie&lt;/a&gt;. I got from Netflix back when they were still shipping DVDs.&lt;/p&gt;
&lt;/aside&gt;
&lt;p&gt;The author &amp;ndash; &lt;a href="https://en.wikipedia.org/wiki/Werner_Gitt"&gt;who is a German mathematician, and Young Earth Creationist&lt;/a&gt; &amp;ndash; goes deep into examining Shannon&amp;rsquo;s theories, to prove a seemingly simple point: the transmission of &amp;ldquo;information&amp;rdquo; requires an intelligent sender. Meaning, the formation of information requires that a being with a thought process was able to form the message and transmit it, otherwise everything is just gibberish.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;m onboard so far, and I don&amp;rsquo;t think this is disputed much in science.&lt;/p&gt;
&lt;p&gt;However, the author then extends this to say that DNA is the &amp;ldquo;original information&amp;rdquo; of the world. It fits all the criteria for information, and it &amp;ndash; by definition &amp;ndash; existing before Man did, therefore we must accept that the creation of man was via information (hence the title of the book), and this requires us to accept an intelligent designer.&lt;/p&gt;
&lt;p&gt;I actually like the theory. But the author makes a massive tonal shift in the third part of the book when he attempts to prove that all this validates the Bible. That&amp;rsquo;s a illogical extension of his core theory I think: he goes from proving that &lt;em&gt;some&lt;/em&gt; intelligent designer existed, to saying that the Hebrew Bible is therefore valid. I just don&amp;rsquo;t think his central theory &amp;ndash; which, again, I rather like &amp;ndash; supports this.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;ve often thought there are different &amp;ldquo;levels&amp;rdquo; in someone&amp;rsquo;s journey of faith. They kind of go like this, using myself and my current faith position as a guide.&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;&lt;strong&gt;Atheist:&lt;/strong&gt; &amp;ldquo;There is nothing&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Agnostic:&lt;/strong&gt; &amp;ldquo;I don&amp;rsquo;t know if there&amp;rsquo;s anything&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Supernaturalist:&lt;/strong&gt; &amp;ldquo;There&amp;rsquo;s… something&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Theist:&lt;/strong&gt; &amp;ldquo;There&amp;rsquo;s… &lt;em&gt;someone(s)&lt;/em&gt;&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Monotheist:&lt;/strong&gt; &amp;ldquo;There&amp;rsquo;s a &lt;em&gt;single&lt;/em&gt; someone&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Christian/Jew:&lt;/strong&gt; &amp;ldquo;There is the God of the Hebrew Bible&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Protestant:&lt;/strong&gt; &amp;ldquo;Martin Luther was right! The Pope is bad!&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Baptist:&lt;/strong&gt; …I have no idea&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Converge Baptist:&lt;/strong&gt; …no idea about this either&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;If you accept what this author is saying, that takes you from #1 to… #4? Maybe #5? His argument really has no relevance beyond that.&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;A few decades ago, some guy wrote &lt;a href="https://en.wikipedia.org/wiki/The_Bible_Code_(book)"&gt;The Bible Code&lt;/a&gt; which was sort of an attempt to mathematically prove the further levels. It was mostly dismissed.&lt;/p&gt;
&lt;/aside&gt;
&lt;p&gt;Outside of the third part, the book is actually a really good discussion of information theory in general. And his central point about an intelligent designer proven by the existence of information is thought-provoking. It&amp;rsquo;s not an unassailable point, by any means, but it&amp;rsquo;s interesting.&lt;/p&gt;
&lt;p&gt;But the third part is a big leap, and I&amp;rsquo;m just not sure the prior portions of the book support it.&lt;/p&gt;

&lt;/section&gt;</description>
      <pubDate>Sun, 22 Mar 2026 00:00:00 -0500</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/in-the-beginning-was-information/</guid>
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    <item>
      <title>Book Review: The Most Beautiful Book Places in the World</title>
      <link>https://live.deanebarker.net/library/titles/beautiful-book-places/</link>
      <description></description>
      <pubDate>Sun, 22 Mar 2026 00:00:00 -0500</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/beautiful-book-places/</guid>
    </item>
    <item>
      <title>Book Review: The Essence of Software: Why Concepts Matter for Great Design</title>
      <link>https://live.deanebarker.net/library/titles/essence-of-software/</link>
      <description>&lt;p&gt;
   &lt;em&gt;&lt;strong&gt;TLDR:&lt;/strong&gt; “Interesting, prescient ideas”&lt;/em&gt;
&lt;/p&gt;




&lt;p&gt;This author is claiming that the &amp;ldquo;essence&amp;rdquo; of software isn&amp;rsquo;t code, rather it&amp;rsquo;s &lt;em&gt;concepts&lt;/em&gt;. He&amp;rsquo;s arguing that we should design software more on the conceptual level.&lt;/p&gt;
&lt;p&gt;Concepts are the user&amp;rsquo;s mental model of how the software works, and how the big pieces of the software interact. He argues for designing these concepts along multiple axes:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Structure:&lt;/strong&gt; what is the concept?&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Purpose:&lt;/strong&gt; why does it exist?&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Composition:&lt;/strong&gt; how does it relate to other concepts?&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Dependency:&lt;/strong&gt; what other concepts depend on it?&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Mapping:&lt;/strong&gt; how does it manifest in the UI?&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Specificity:&lt;/strong&gt; does it serve only one purpose?&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Familiarity:&lt;/strong&gt; is it shared with other applications?&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Integrity:&lt;/strong&gt; how does it &amp;ldquo;protect&amp;rdquo; itself from encroachment by other concepts?&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I&amp;rsquo;ve known this as a &amp;ldquo;noun&amp;rdquo; analysis. When trying to learn new software, sometimes it&amp;rsquo;s helpful to analyze the &amp;ldquo;nouns&amp;rdquo; &amp;ndash; the… things, in the software, that you do stuff with. That really helps you organize the software in your head.&lt;/p&gt;
&lt;p&gt;What&amp;rsquo;s interesting is how relevant this is in the new era of AI-driven software development. Writing code is no longer the critical thing. What&amp;rsquo;s becoming more important is understanding how your users will use the software, and the models they will use to think about the problem domain.&lt;/p&gt;
&lt;p&gt;Future software will likely be designed at the conceptual level, and here&amp;rsquo;s a great example:&lt;/p&gt;
&lt;p&gt;&lt;a href="/tech/code/config-lang/spec/" data-no-index&gt;Configuration Language: Specification&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;This is a configuration language that I designed (…or maybe &amp;ldquo;evolved&amp;rdquo; over years of use). I wrote a detail specification for it, delineating the &lt;em&gt;concepts&lt;/em&gt; behind it. Since then, I&amp;rsquo;ve had Claude Code implement it &amp;ndash; write the actual code &amp;ndash; for two different languages. It&amp;rsquo;s neat because it works the same in both, because the concepts are the same.&lt;/p&gt;
&lt;p&gt;This is the future of software development. The book was ahead of its time.&lt;/p&gt;
&lt;p&gt;Also, the book has an interesting format, in that it&amp;rsquo;s divided into two halves. The first half is the meat of the argument, without much elaboration of asides. The second half is basically an extended set of &amp;ldquo;notes&amp;rdquo; to the first half, in which the author tells colorful anecdotes and explains the concepts with more narrative. (The author is a professor at MIT, so if he was using this as a textbook, I think the students find that helpful.)&lt;/p&gt;
&lt;p&gt;Finally, the author has &lt;a href="https://essenceofsoftware.com/"&gt;an entire website&lt;/a&gt; in support of the book. It&amp;rsquo;s not just promotional &amp;ndash; some of the content expands on and reinforces the concepts of the book.&lt;/p&gt;</description>
      <pubDate>Sat, 21 Mar 2026 00:00:00 -0500</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/essence-of-software/</guid>
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    <item>
      <title>March 17, 2026</title>
      <link>https://live.deanebarker.net/workouts/2026-03-17/</link>
      <description>&lt;p&gt;
    &lt;strong&gt;Est. Time:&lt;/strong&gt; 
    &lt;br/&gt;
    &lt;strong&gt;Gear:&lt;/strong&gt; bike, sled
&lt;/p&gt;

&lt;pre style="padding: 1em; background: rgb(240,240,240);"&gt;4x
---
2,500m BikeErg
35m Sled Push (450#)
&lt;/pre&gt;





&lt;p&gt;This was murder. The sled push, specifically.&lt;/p&gt;
&lt;p&gt;I had 450# on it &amp;ndash; 360# in plates (8 x 45#), and then the sled weighs somewhere between 80-100#. But, of course, everything comes down to the contact patch and the floor surface, so the weights of sleds are really hard to equate. What is hard on one surface and one sled, would be much easier or harder if either were swapped for something else.&lt;/p&gt;
&lt;p&gt;Anyway, the sled push was very difficult. I want to say it took me about 30 seconds each way, and it just wiped me out. I was resting at least 30 seconds before starting the second push each round, and then getting back on the bike was the absolute worst feeling. My legs were jelly.&lt;/p&gt;
&lt;p&gt;I was really proud that I hadn&amp;rsquo;t stopped the sled once in eight pushes (four down, four back). And then, literally &lt;em&gt;10-feet&lt;/em&gt; before the end, on the last push, something happened and the sled just seized up and stopped moving. I thought I had just literally run out of gas at that point, but there was a suspicious skid mark on the floor which makes me think something happened &amp;ndash; it slipped off its caster, or something. (See my prior point about the sled and the surface playing very heavily into the effective effort.)&lt;/p&gt;
&lt;p&gt;Rough, rough workout. I was a mess when I left the gym.&lt;/p&gt;</description>
      <pubDate>Tue, 17 Mar 2026 00:00:00 -0500</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/workouts/2026-03-17/</guid>
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    <item>
      <title>Annotated Link: The $500 Million Mystery Will, Signed by Ghosts</title>
      <link>https://www.nytimes.com/2026/03/15/business/the-500-million-mystery-will-signed-by-ghosts.html</link>
      <description>&lt;p&gt;A random, bizarre will for a half-billion estate was &amp;ldquo;discovered,&amp;rdquo; and no matter how ridiculous it seems, the court is forcing lawyers to adjudicate the matter.&lt;/p&gt;</description>
      <pubDate>Mon, 16 Mar 2026 03:02:00 -0500</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/interesting/tony-hsieh-will/</guid>
    </item>
    <item>
      <title>March 16, 2026</title>
      <link>https://live.deanebarker.net/workouts/2026-03-16/</link>
      <description>&lt;p&gt;
    &lt;strong&gt;Est. Time:&lt;/strong&gt; 
    &lt;br/&gt;
    &lt;strong&gt;Gear:&lt;/strong&gt; bench press, bike
&lt;/p&gt;

&lt;pre style="padding: 1em; background: rgb(240,240,240);"&gt;6x
---
Max Effort Bench Press (#225)
Max Effort BikeErg until 5:00
&lt;/pre&gt;





&lt;p&gt;This was a pretty simple one. I would do a set of bench, which would take about 50 seconds (the bench was 20-30 feet from the bike), then get on the bike to finish the round. I did this for 30 minutes today.&lt;/p&gt;
&lt;p&gt;I got about five reps every round of bench after the first (in which I got, like, eight &amp;ndash; I&amp;rsquo;m &lt;em&gt;way&lt;/em&gt; off my peak, from before the shoulder injury).&lt;/p&gt;
&lt;p&gt;All told, I got about 11,500m of bike, which is about right. I can get 15,000m in 30 minutes. With the bench, I effectively biked for 80% of that time, which is 12,000, so I&amp;rsquo;m in the ballpark.&lt;/p&gt;</description>
      <pubDate>Mon, 16 Mar 2026 00:00:00 -0500</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/workouts/2026-03-16/</guid>
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    <item>
      <title>Book Review: The Only Plane in the Sky: An Oral History of 9/11</title>
      <link>https://live.deanebarker.net/library/titles/only-plane-sky/</link>
      <description>&lt;p&gt;
   &lt;em&gt;&lt;strong&gt;TLDR:&lt;/strong&gt; “An amazing experience you will never forget”&lt;/em&gt;
&lt;/p&gt;




&lt;p&gt;This was an amazing…experience. I call it that because I listened to this book on audio during a long road trip. I loved it so much that I ordered the hardcover before I even got home.&lt;/p&gt;
&lt;p&gt;The audio version is read by a multi-voice cast of almost 50 voice actors. They need to do this because the book is a literal oral history &amp;ndash; it&amp;rsquo;s a thousand (two thousand? three?) little vignettes of the 24 hours after the first 9/11 plane took off from Boston, told in the first person.&lt;/p&gt;
&lt;p&gt;It goes through the day in chronological order, step by step, minute by minute, telling the stories by the people who lived through it. There are hundreds and hundreds of individual retellers. Many of them you come to know, because the story keeps coming back to them over and over again, throughout the day.&lt;/p&gt;
&lt;p&gt;When introduced, the speakers give their name, what they were doing (like, which company they worked for), and &amp;ndash; ominously &amp;ndash; which floor of the towers they were on when the planes it.&lt;/p&gt;
&lt;p&gt;The people are from all walks &amp;ndash; some survivors, some rescue workers, some celebrities. There are stories and anecdotes from Dick Cheney, Donald Rumsfeld, Dennis Hastert, even George Bush.&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;In a chapter that recounts the perspective of children on that day, there&amp;rsquo;s a very short quote from a &amp;ldquo;Selena Gomez, age 9&amp;rdquo; from Texas. I checked and did the math. I think it&amp;rsquo;s the actress, but there&amp;rsquo;s no note to that effect.&lt;/p&gt;
&lt;/aside&gt;
&lt;p&gt;This is what I believe to be the most comprehensive account of what happened on 9/11. The audio book was 16 hours long. It goes into excruciating detail, from every possible perspective. It&amp;rsquo;s a staggering work of compilation.&lt;/p&gt;
&lt;p&gt;Some things I learned &amp;ndash; &lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;The biggest immediate fear was that the rescuers didn&amp;rsquo;t know if there were more hijacked planes. Until the FAA got all the planes on the ground, rescue work would stop when a plane got near, because they didn&amp;rsquo;t know which planes were weapons.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;The Pentagon crash would have been &lt;em&gt;much&lt;/em&gt; worse, except they crashed into a section of the building that had just been remodeled, and not everyone had moved back in.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Some people still in the Twin Towers survived the collapse. The building came down around them, but they managed to be in a pocket of space, like an elevator shaft. Several people were pulled out of the wreckage after the collapse.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;A &amp;ldquo;shootdown&amp;rdquo; order was given, to bring down any threatening planes. There was one plane inbound from Europe that was the only plane left, and discussion was had about whether or not to intercept it, but it eventually turned back.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;The President was genuinely desperate to get back to Washington, but his security wouldn&amp;rsquo;t allow it until they were sure all the planes were down. He went from Florida, where he was reading to an elementary school, to Barksdale AFB in Louisiana, then to Offut AFB in Nebraska because it had better communications. Then they flew back to Washington so fast that the fighter escorts had trouble keeping up without running out of fuel (apparently Air Force One is a &lt;em&gt;very&lt;/em&gt; fast plane).&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;During the travels of Air Force One on 9/11, the Secret Service posted an armed guard at the bottom of the stairs leading to the upper deck where the president was. The implied message was, &amp;ldquo;We don&amp;rsquo;t even know for sure that a terrorist isn&amp;rsquo;t on this plane right now.&amp;rdquo;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;United 93 &amp;ndash; the plane that crashed in Pennsylvania &amp;ndash; was delayed at takeoff. This meant that they were in the air later than planned, and the passengers had seen news reports of the other planes hitting buildings. This is why they stormed the cockpit &amp;ndash; the passengers on the other flights had acquiesced to the hijackers, but the United 93 passengers had seen what was going to happen to them. If their plane had taken off on time, they might have stayed in their seats, and it might have hit the Capitol (where investigators believe it was headed).&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;The F-16s that took off to intercept United 93 were not armed. They left before they could be loaded with missiles or bullets. The pilots debated whether or not to ram the plane out of the sky, but it crashed before they intercepted it.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;There is audio recording of the struggle on United 93. I do not know if this is public, but apparently there is very clear audio from the cockpit recording of the fight for control of the plane. They cannot tell if the passengers ever got in the cockpit, but the terrorists voices are heard responding to the passengers trying to get in. The last words recorded are &amp;ldquo;Allahu Akbar&amp;rdquo; repeated eight times.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;When the towers collapses, dust and ash became a huge problem. People couldn&amp;rsquo;t breath. Multiple people tell of having to literally scoop gobs of ash out of their mouths so they could breath.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;In the afternoon of 9/11, boats of all kinds started pulling up to docks in Lower Manhattan to ferry people across the East River and the Hudson to safety. It turned into one of the largest maritime boat lifts in history, far bigger than even Dunkirk. An estimated 500,000 people were evacuated.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;The hospitals in New York braced for a massive influx of patients… that never came. They realized, to their horror, that almost everyone had died, and that there were relatively few injured to care for.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Falling bodies from the towers was a significant problem for the rescue workers. More than one firefighter was killed by a jumper landing on them.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Some of the most harrowing survival stories are people who had to make it down the stairs of one of the two towers. They descended hundreds of flights of stairs in darkness and smoke. Lots of people died on the way down. Survivors headed down were constantly being passed by firefighters heading up.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;When the plane hit the North Tower, a massive fireball shot down an elevator shaft and exploded into the lobby, killing people all the way down on the ground.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Rudy Guliani happened to be in the area when the planes hit. He was a few blocks from Ground Zero for most of the day. Likewise, Donald Rumsfeld was in the Pentagon and went to the affected area to help survivors.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;An American Airlines ticket agent had unwittingly helped two of the hijackers make it onto their flight. He didn&amp;rsquo;t realize what he had done until the next day. He struggled with it for years afterwards.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Lots of survivors didn&amp;rsquo;t know what to do when they got out of the towers. A lot of them just walked home across the closed bridges to New Jersey, Brooklyn, or Queens.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;The last survivor at Ground Zero was rescued at about 10 a.m. on the next morning. No one else was found alive after that.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;In the weeks after 9/11, tow trucks were dispatched to train stations in New Jersey to remove all the vehicles that hadn&amp;rsquo;t moved since that day. These were owned by people who never returned for them.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;An older woman named Josephine was rescued from one of the towers by a group of firefighters. When she died of natural causes years later, she asked that the firefighters be her pallbearers.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;A couple things in particular struck me &amp;ndash; &lt;/p&gt;
&lt;p&gt;There was so much bravery. There are so many stories of people running back into the buildings, and people helping other people at huge personal risk to themselves. I kept wondering: would I be that brave, if I was there?&lt;/p&gt;
&lt;p&gt;Another theme was the sheer physicality of survival. Many people who survived went to hell and back to get out. They carried other people, they moved heavy things, they through fought dust and heat and smoke.&lt;/p&gt;
&lt;p&gt;There are other heartbreaking stories of people in poor physical condition who didn&amp;rsquo;t make it. Bodyweight was an unavoidable factor &amp;ndash; there are several stories of obese people who couldn&amp;rsquo;t be easily moved, or who just gave up and couldn&amp;rsquo;t go on. I kept wondering: would I survive? Would I have had the physical capacity necessary to make it out? Would I have had the tenacity to carry on?&lt;/p&gt;
&lt;p&gt;This is just an amazing book, and a rare instance where I&amp;rsquo;m going to say: &lt;em&gt;listen to it on audio&lt;/em&gt;. The voice acting is very well-done. Clearly, each of the actors speak multiple parts, but I didn&amp;rsquo;t start to notice that until the end.&lt;/p&gt;
&lt;p&gt;I did not speed up the audio of this book like I usually do. I listened to every last minute of the 16 hours.&lt;/p&gt;
&lt;p&gt;It was an incredible experience. I am a different person for having listened to it all.&lt;/p&gt;</description>
      <pubDate>Thu, 26 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/only-plane-sky/</guid>
    </item>
    <item>
      <title>On Command Line Interfaces...</title>
      <link>https://live.deanebarker.net/tech/linkedin/command-line-interfaces/</link>
      <description>&lt;p&gt;I&amp;rsquo;ve gotten weirdly obsessed with command line interfaces (CLIs) lately. I&amp;rsquo;ve always liked the speed and precision of them, and I have a strange love affair with plain text (markdown 4 life, yo…).&lt;/p&gt;
&lt;p&gt;In the last couple days, I wrote a CLI for Staffbase user management. There&amp;rsquo;s a video below, if you&amp;rsquo;re interested. It&amp;rsquo;s just kind of a POC (meaning, a solution in search of a problem…), but it&amp;rsquo;s got me thinking about CLIs and how they relate to AI, from a user interface perspective.&lt;/p&gt;
&lt;p&gt;(Also, I watched the original &amp;ldquo;Tron&amp;rdquo; for some reason the other day. Turns out there were lots of command lines in 1982. Don&amp;rsquo;t get me started on the philosophical implications of text being converted into anthropomorphic homunculi inside the machine that sort of resemble how we perceive LLMs…)&lt;/p&gt;
&lt;p&gt;With the current state of AI, we&amp;rsquo;ve almost reverted to a CLI orientation. We type, something types back, we type again, etc. The only difference is that the syntax is more relaxed and the capabilities are far more vast. But the type/reply model is still there.&lt;/p&gt;
&lt;p&gt;And we eventually fall into patterns  &amp;ndash;  at least I did. When I want a word defined, I type &amp;ldquo;define [word]&amp;rdquo;. This is awfully similar to the command/argument model of a CLI. When I get coding error, and the conversation has context to what I&amp;rsquo;m doing, I just type &amp;ldquo;error [paste the error text].&amp;rdquo;&lt;/p&gt;
&lt;p&gt;Browsers did the same thing: the address bar is another CLI. In some browser I used (Firefox?), I would type &amp;ldquo;!w [term]&amp;rdquo; to have it just pass the search to Wikipedia. Decades back, I remember being amazed at being able to type &amp;ldquo;showtimes sioux falls&amp;rdquo; into Google and get back movie listings. That&amp;rsquo;s basically a CLI.&lt;/p&gt;
&lt;p&gt;How long until we wear &amp;ldquo;channels&amp;rdquo; into AI engines by using CLI-ish shorthand so much that it comes to expect that, and we all kind of accidentally, collectively define a syntax for common operations just from using them so much?&lt;/p&gt;
&lt;p&gt;The Grand Canyon represents millions of years of erosion &amp;ndash; the Earth eventually adapted to the incessant &amp;ldquo;usage patterns&amp;rdquo; of water. Will our usage of AI eventually &amp;ldquo;erode&amp;rdquo; our way to some common input language? What will that look like?&lt;/p&gt;
&lt;p&gt;And, in the end, are we just walking in a big circle back to the command line?&lt;/p&gt;</description>
      <pubDate>Thu, 26 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/tech/linkedin/command-line-interfaces/</guid>
    </item>
    <item>
      <title>Book Review: James Bond: 50 Years of Movie Posters</title>
      <link>https://live.deanebarker.net/library/titles/james-bond-posters/</link>
      <description>&lt;p&gt;
   &lt;em&gt;&lt;strong&gt;TLDR:&lt;/strong&gt; “Exactly what it claims to be”&lt;/em&gt;
&lt;/p&gt;




&lt;p&gt;This is a huge coffee table book. So big that I&amp;rsquo;m having trouble finding a place to put it, as it won&amp;rsquo;t fit in my of my bookshelf spaces.&lt;/p&gt;
&lt;p&gt;True to the title, it&amp;rsquo;s essentially a picture book of movie posters of all James Bond films through &lt;em&gt;SPECTRE&lt;/em&gt;, with one image of the &lt;em&gt;Skyfall&lt;/em&gt; teaser poster as that must have been the only thing released when the book was printed.&lt;/p&gt;
&lt;p&gt;Each image has a caption and some discussion. After looking through all of them, I have some observations.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;Here is the classic Bond poster: James Bond, staring intently into the camera, holding a gun, flanked by the two Bond girls (because there&amp;rsquo;s always two…). Surrounding them is a montage of action sequences from the film. This is an uncannily common formula, I imagine because the films don&amp;rsquo;t need much explanation &amp;ndash; everyone knows what a James Bond film is, these days.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;I don&amp;rsquo;t know why I was surprised that different countries have different posters. Obviously, there are language differences, but the tone of the poster is often different as well, to emphasize some aspect more or less, based on the local culture and appetites.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;The Bond women are extremely prominent on every poster, seemingly more so in other countries. During the 1960s, they were mostly illustrated, with clearly exagerrated breast size.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;Bond&amp;rsquo;s gun is most often silenced &amp;ndash; meaning, it has a long silencer attached. This is so common as to be odd. I supposed it makes Bond seem &amp;ldquo;secret,&amp;rdquo; but it&amp;rsquo;s also an interesting visual thing &amp;ndash; it draws more attention to the gun, and it makes it seem… ungainly. Like, this is a thing you would do to a gun only if you know what you were doing and has a specific reason. (I&amp;rsquo;m avoiding the phallic implications…)&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;I was a little surprised to see that Grace Jones was incredibly prominent on the &lt;em&gt;A View to a Kill&lt;/em&gt; posters. She almost the focus of every poster &amp;ndash; where as Tanya Roberts was almost nowhere to be found. I suppose it&amp;rsquo;s because of Jones&amp;rsquo; exotic looks and her adversarial role in the film&amp;rsquo;s plot.&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;This was a fun book. I spent about a month paging through it.&lt;/p&gt;
&lt;p&gt;Now, if I could only find a place to put it…&lt;/p&gt;</description>
      <pubDate>Fri, 13 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/james-bond-posters/</guid>
    </item>
    <item>
      <title>Annotated Link: Leaked Chats Expose the Daily Life of a Scam Compound’s Enslaved Workforce</title>
      <link>https://www.wired.com/story/the-red-bull-leaks/</link>
      <description>&lt;p&gt;Scam call center operating from East Asia hold victims&amp;rsquo; passports and keep them in debt bondage, while presenting themselves &amp;ndash; and even internally operating &amp;ndash; as legitimate businesses.&lt;/p&gt;</description>
      <pubDate>Mon, 2 Feb 2026 11:17:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/interesting/scam-center/</guid>
    </item>
    <item>
      <title>The lost art of XML</title>
      <link>https://live.deanebarker.net/tech/reading/1965896631/</link>
      <description>&lt;p&gt;Preamble There exists a peculiar amnesia in software engineering regarding XML. Mention it in most circles and you will receive knowing smiles, dismissive waves, the sort of patronizing acknowledgment reserved for technologies deemed passé. &amp;ldquo;Oh, XML,&amp;rdquo; they say, as if the very syllables carry the weight of obsolescence. &amp;ldquo;We use JSON now. Much cleaner.&amp;rdquo; This is nonsense. XML was not abandoned becaus&lt;/p&gt;


&lt;ul class="highlights"&gt;

&lt;li&gt;&lt;p&gt;There exists a peculiar amnesia in software engineering regarding XML.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;XML was not abandoned because it was inadequate; it was abandoned because JavaScript won. The browser won. And in that victory, we collectively agreed to pretend that a format designed for human readability in a REPL was suitable for machine-to-machine communication, for configuration, for anything requiring rigor. We relinquished the logical formalism for convenience with our tools.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;It looks &amp;ldquo;heavy&amp;rdquo; compared to JSON&amp;rsquo;s minimalism. These are aesthetic complaints dressed up as engineering concerns.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;JSON, by contrast, is an object literal from JavaScript. It is a notation for initializing dictionaries. It was never designed to be a data interchange format; it was promoted to that role because it was already in the browser and developers were already familiar with it. Convenience over correctness.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;A format can be pleasant to work with and still be fundamentally inadequate.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;We could have just used XML.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;We could have simply used the binary XML encodings that already existed. But that would require admitting that XML was right all along.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;I am tired of lobotomized formats like JSON being treated as the default, as the modern choice, as the obviously correct solution. They are none of these things.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;Sometimes the old way was the right way. This is one of those times.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;We threw away schemas, namespaces, validation, self-description, all because we didn&amp;rsquo;t like angle brackets.&lt;/p&gt;
&lt;/li&gt;

&lt;/ul&gt;</description>
      <pubDate>Mon, 2 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/tech/reading/1965896631/</guid>
    </item>
    <item>
      <title>CSS sucks because we don't bother learning it.</title>
      <link>https://live.deanebarker.net/tech/reading/1955572070/</link>
      <description>&lt;ul class="highlights"&gt;

&lt;li&gt;&lt;p&gt;Every time I hear someone complaining about how much CSS sucks, I have one question: Did you ever learn CSS?&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;CSS may not be a programming language per se, but that doesn&amp;rsquo;t mean you can learn it in a day. You can learn the syntax just like you can learn the cool parts of JavaScript in a day. But using CSS to solve a design problem demands just as much planning and experience as you would with any other task.&lt;/p&gt;
&lt;/li&gt;

&lt;/ul&gt;</description>
      <pubDate>Sun, 1 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/tech/reading/1955572070/</guid>
    </item>
    <item>
      <title>You Don't Need an Iframe Resizing Library</title>
      <link>https://live.deanebarker.net/tech/reading/1946941058/</link>
      <description>&lt;ul class="highlights"&gt;

&lt;li&gt;&lt;p&gt;We&amp;rsquo;ll use the Window.postMessage API to communicate between the parent page and the iframe. A function in the child page will determine the size of its content and send it to the parent page. The parent page will listen for the message and then update the iframe&amp;rsquo;s size.&lt;/p&gt;
&lt;/li&gt;

&lt;/ul&gt;</description>
      <pubDate>Sun, 1 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/tech/reading/1946941058/</guid>
    </item>
    <item>
      <title>Perl's decline was cultural</title>
      <link>https://live.deanebarker.net/tech/reading/1942894045/</link>
      <description>&lt;ul class="highlights"&gt;

&lt;li&gt;&lt;p&gt;Perl grew amongst a reactionary community with conservative values, which prevented it from evolving into a mature general purpose language ecosystem.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;. (This is a drawback about fort-building. Once you live in a fort, it&amp;rsquo;s slightly too easy to develop a siege mentality).&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;if difficulty itself becomes a badge of honour, you&amp;rsquo;ve created a trap: anything that makes the system more approachable starts to feel like it&amp;rsquo;s cheapening what you achieved&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;Perl had an, at best grudging, tolerance for &amp;lsquo;difficult genius&amp;rsquo; types, alongside this baseline culture. Unfortunately, this kind of toxic personality tends to thrive in the type of culture I&amp;rsquo;ve described, and they do set to help the tone.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;If Perl can already do anything, flexibly, in multiple ways, then the language itself doesn&amp;rsquo;t need to change - &amp;lsquo;we already have one of those here, we don&amp;rsquo;t need new things&amp;rsquo;.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;If I squint, I can imagine that a Perl with a less reactionary culture, and a healthier acceptance of other ideas and environmental change might have been able to evolve alongside the other tools in the web paradigm shift, and still occupy a more central position in today&amp;rsquo;s development landscape.&lt;/p&gt;
&lt;/li&gt;

&lt;/ul&gt;</description>
      <pubDate>Sun, 1 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/tech/reading/1942894045/</guid>
    </item>
    <item>
      <title>How Markdown took over the world</title>
      <link>https://live.deanebarker.net/tech/reading/1957878427/</link>
      <description>&lt;p&gt;Nearly every bit of the high-tech world, from the most cutting-edge AI systems at the biggest companies, to the casual scraps of code cobbled together by college students, is annotated and described by the same, simple plain text format. Whether you’re trying to give complex instructions to ChatGPT, or you want to be able to exchange a grocery list in Apple Notes or copy someone’s homework in Goog&lt;/p&gt;


&lt;ul class="highlights"&gt;

&lt;li&gt;&lt;p&gt;we changed the size of the box that people used to type in just to create the posts on their sites. We made the box a little bit taller, mostly for aesthetic reasons. Within a few weeks, we’d found that posts on sites like Gawker had gotten longer, mostly because the box was bigger.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;But it’s important for everyone to know that the Internet, and the tech industry, don’t run without the generosity and genius of regular people.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;The most surprising part of what happened next wasn’t that everybody immediately started using it to write their blogs; that was, after all, what the tool was designed to do. It’s that everybody started using Markdown to do everything else, too.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;On GitHub, the platform that nearly every developer in the world uses to share their code, nearly every single repository of code on the site has at least one Markdown file that’s used to describe its contents.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;It’s almost impossible to overstate the ubiquity of Markdown within the modern computer industry in the decades since its launch.&lt;/p&gt;
&lt;/li&gt;

&lt;/ul&gt;</description>
      <pubDate>Sun, 1 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/tech/reading/1957878427/</guid>
    </item>
    <item>
      <title>Your App Subscription Is Now My Weekend Project</title>
      <link>https://live.deanebarker.net/tech/reading/1965549395/</link>
      <description>&lt;p&gt;I pay for a lot of small apps. One of them was Wispr Flow for dictation. That’s $14 CAD/month that I was paying until I had a few lazy days visiting my mother. And then on the afternoon of New Year’s Day, I vibecoded Jabber. Now, don’t get me wrong, Jabber is not “production quality.” I would never sell it as a product or even recommend it to other people, but it does what I needed from Wispr Flow&lt;/p&gt;


&lt;ul class="highlights"&gt;

&lt;li&gt;&lt;p&gt;But vibecoding is 100% viable for personal stuff like this: we now have apps on demand.&lt;/p&gt;
&lt;/li&gt;

&lt;/ul&gt;</description>
      <pubDate>Sun, 1 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/tech/reading/1965549395/</guid>
    </item>
    <item>
      <title>Software Is Becoming a Commodity</title>
      <link>https://live.deanebarker.net/tech/reading/1965549519/</link>
      <description>&lt;ul class="highlights"&gt;

&lt;li&gt;&lt;p&gt;flooding the market with apps — many targeting niche problems that previously “would never warrant VC money or a dev team”.&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;. In the next 1–2 years, expect intensified competition in every software segment, and commoditization of all “table-stakes” features&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;If individual apps become commoditized, where will the value concentrate? Likely in the meta-layers above the apps — the aggregators, orchestrators, and AI “agents” that help users navigate a world of countless software options&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;as the unit of software shifts from monolithic application to flexible AI-assembled capabilities, the value will shift to those who organize and channel the multitude of cheap apps&lt;/p&gt;
&lt;/li&gt;

&lt;li&gt;&lt;p&gt;If an app is essentially a nice UI on top of a common function (a basic CRUD database with a pretty interface), expect it to be cannibalized by the ecosystem&lt;/p&gt;
&lt;/li&gt;

&lt;/ul&gt;</description>
      <pubDate>Sun, 1 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/tech/reading/1965549519/</guid>
    </item>
    <item>
      <title>RIP Low-Code 2014-2025</title>
      <link>https://live.deanebarker.net/tech/reading/1967830505/</link>
      <description>&lt;ul class="highlights"&gt;

&lt;li&gt;&lt;p&gt;For us, abandoning low-code to reclaim ownership of our internal tooling was a simple build vs buy decision with meaningful cost savings and velocity gains. It also feels like a massive upgrade in developer experience and end-user quality of life.&lt;/p&gt;
&lt;/li&gt;

&lt;/ul&gt;</description>
      <pubDate>Sun, 1 Feb 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/tech/reading/1967830505/</guid>
    </item>
    <item>
      <title>Book Review: Get the Picture: A Mind-Bending Journey among the Inspired Artists and Obsessive Art Fiends Who Taught Me How to See</title>
      <link>https://live.deanebarker.net/library/titles/get-the-picture/</link>
      <description>&lt;p&gt;
   &lt;em&gt;&lt;strong&gt;TLDR:&lt;/strong&gt; “Compelling and well-written”&lt;/em&gt;
&lt;/p&gt;




&lt;p&gt;This is the from the same author that wrote &lt;em&gt;&lt;a href="/library/titles/cork-dork/" data-no-index&gt;Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste&lt;/a&gt;&lt;/em&gt;. Bianca Bosker is developing a track record of someone who immerses herself in a subculture and tries to figure it out from the inside.&lt;/p&gt;
&lt;p&gt;This book is about the art world. Specifically, the &amp;ldquo;contemporary art&amp;rdquo; world (which, I learned, is newer than &amp;ldquo;modern art&amp;rdquo; &amp;ndash; the modern art era ended in the 70s). To try and figure it all out, Bosker embarks on a series of journeys:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;p&gt;She becomes a gallery assistant, twice. Once at a small gallery in Brooklyn, where she gets abused a little, and once at a larger gallery in Manhattan where she becomes an assistant director and works a large art festival in Miami&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;She takes a detour into performance art, with a woman who sits on people&amp;rsquo;s faces (not a typo)&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;She becomes a studio assistant to a semi-famous contemporary artist&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;She becomes a docent at the Guggenheim museum ion NYC&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;p&gt;She follows two Instagram-famous art collectors from North Dakota (&amp;ldquo;&lt;a href="https://www.instagram.com/theicygays/"&gt;the Icy Gays&lt;/a&gt;,&amp;rdquo; they call themselves) around a show while they select and buy art&lt;/p&gt;
&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;All throughout, Bosker keeps asking herself: What is art? Why do people like the things they like?&lt;/p&gt;
&lt;p&gt;Like wine, art is the &amp;ldquo;anti-math.&amp;rdquo; Mathematics is a simple, objective discipline where things are as they seem and there&amp;rsquo;s pretty much always a right answer to everything.&lt;/p&gt;
&lt;p&gt;But there are no &amp;ldquo;right&amp;rdquo; answers in art. Things are the way they are because someone says they should be. And what one person says, might not be what another person says. Art is the supreme stronghold of the personal opinion.&lt;/p&gt;
&lt;p&gt;…or is it?&lt;/p&gt;
&lt;p&gt;What Bosker finds is that there&amp;rsquo;s something like a &amp;ldquo;deep state&amp;rdquo; in the contemporary art world. There are movers and shakers and a very tight social network &amp;ndash; centered in NYC &amp;ndash; that tends to drive opinions. There are &amp;ldquo;The Heads,&amp;rdquo; which are a shadowy network of gallerists, museum directors, collectors, and other elite that tend to make or break the really famous artists. Bosker never uncovers an actual secret society or anything, but there&amp;rsquo;s a pervasiveness sense of string-pulling all throughout the book. &lt;em&gt;Someone&lt;/em&gt; &amp;ndash; or some group of someones &amp;ndash; drives influence in the art world.&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;I&amp;rsquo;m reminded of &lt;a href="https://www.youtube.com/watch?v=-rDTRuCOs9g"&gt;this brilliant scene&lt;/a&gt; from &lt;em&gt;The Devil Wears Prada&lt;/em&gt; where a fashion editor explains how the fashion elite actually drove a &amp;ldquo;normal&amp;rdquo; woman&amp;rsquo;s decision to buy a simple blue sweater.&lt;/p&gt;
&lt;p&gt;Also, I can&amp;rsquo;t let this point pass without mentioning &lt;em&gt;&lt;a href="/library/titles/12-million-stuffed-shark/" data-no-index&gt;The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art&lt;/a&gt;&lt;/em&gt;, which is less personal but more detailed dive into the economics that drive the contemporary art world.&lt;/p&gt;
&lt;/aside&gt;
&lt;p&gt;Related to all this, Bosker discovers the power of &amp;ldquo;context.&amp;rdquo; This is the conversation &lt;em&gt;about&lt;/em&gt; the art or the artist &amp;ndash; the &amp;ldquo;buzz,&amp;rdquo; if you will. To &amp;ldquo;break out&amp;rdquo; in the art world, you have to have the right context. The right people need to talk about you in the right ways. You need to have the right story. When someone is &amp;ldquo;explaining&amp;rdquo; a painting to someone else at a party, they need to have some depth of interesting anecdotes to tell about the artist&amp;rsquo;s history or thought process or whatever.&lt;/p&gt;
&lt;p&gt;As it turns out, fame in the art world is never just about the art. It&amp;rsquo;s about market positioning and story telling. The exact same painting can be noticed or ignored by The Heads and everyone else because it has or doesn&amp;rsquo;t have great context.&lt;/p&gt;
&lt;p&gt;So, there are two sides to art: what does the market thinks of it, which is separate from what &lt;em&gt;you&lt;/em&gt; think of it.&lt;/p&gt;
&lt;p&gt;For the latter, Bosker digs into the science of visual comprehension and color constancy. She comes to the conclusion that we ignore more of what&amp;rsquo;s around us. We just don&amp;rsquo;t stop to &lt;em&gt;see&lt;/em&gt; things anymore, and this is one of the things that art does: it forces us to &lt;em&gt;see&lt;/em&gt; something, sometimes by simply excluded everything else.&lt;/p&gt;
&lt;p&gt;As a docent at the Guggenheim, Bosker contemplates how long people look at art. She comes to understand that you really have to stare at art for a long time. In doing so, you come to see things that you never would have otherwise.&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;The New York Times has talked about this: &lt;a href="https://www.nytimes.com/2025/11/09/insider/10-minute-challenge.html"&gt;Can You Stare at a Work of Art for 10 Minutes?&lt;/a&gt; They offer a series of &amp;ldquo;10 Minute Challenges,&amp;rdquo; in which you can bring up an artwork, and you have to stare at it until the page tells you 10 minutes is up. &lt;a href="https://www.nytimes.com/interactive/2025/11/02/upshot/ten-minute-challenge-flowers.html"&gt;Here&amp;rsquo;s one&lt;/a&gt; using a painting of flowers from the 1700s.&lt;/p&gt;
&lt;p&gt;I completed the challenge once. I don&amp;rsquo;t remember the exact painting, but it was something minimalistic around a ship harbor… or at least that&amp;rsquo;s what I decided it was after staring at it for 10 minutes straight.&lt;/p&gt;
&lt;p&gt;Oliver Burkeman has talked about something similar in &lt;em&gt;&lt;a href="/library/titles/four-thousand-weeks/" data-no-index&gt;Four Thousand Weeks&lt;/a&gt;&lt;/em&gt;. He mentioned a college course where one of the assignments was to stare at a work of art, uninterrupted, for &lt;em&gt;three hours&lt;/em&gt;.&lt;/p&gt;
&lt;/aside&gt;
&lt;p&gt;Throughout the book, she sort of pokes fun at the phrase &amp;ldquo;makes the familiar unfamiliar,&amp;rdquo; which is something of a cliche in art showing press releases. But, in the end, she decides that this is pretty accurate: one of the the tricks of art is to show someone something they think they know (the &amp;ldquo;familiar&amp;rdquo;) and get them to understand it in a new way (the &amp;ldquo;unfamiliar&amp;rdquo;).&lt;/p&gt;
&lt;p&gt;…or at least that&amp;rsquo;s &lt;em&gt;one&lt;/em&gt; trick of art. In the end, I think Bosker just comes to the conclusion that art is self-justifying. Humans have loved art for thousands of years, and do we really need to spend a lot of time asking why?&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;A couple final anecdotes &amp;ndash; &lt;/p&gt;
&lt;p&gt;I was just recently in NYC. One morning, I took the subway to Brooklyn, and I sat at stared at the reprint of a painting which was part of &lt;a href="https://www.mta.info/agency/arts-design"&gt;a program to bring art into the subway&lt;/a&gt;. I must have stared at this for 20 minutes, and it was kind of amazing. &lt;a href="https://www.mta.info/agency/arts-design/collection/city-spirit"&gt;This was the painting&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;And this came &lt;em&gt;after&lt;/em&gt; I was utterly transfixed by &lt;a href="https://hsart.com/product/charles-fazzino-high-above-new-york/"&gt;this 3D art piece&lt;/a&gt; sitting above an escalator at JFK airport (zoom in using the magnifying icon &amp;ndash; it&amp;rsquo;s worth it). I want to say I stopped in my tracks, but, again, I was on an escalator at the time. I would have absolutely stopped had I been walking under my own power. I was honestly kind of annoyed that the escalator kept moving &amp;ndash; I could have stared at this for an hour.&lt;/p&gt;
&lt;p&gt;Would I have noticed these before I read Bosker&amp;rsquo;s book?&lt;/p&gt;
&lt;/aside&gt;
&lt;p&gt;I have my fingers crossed that Bosker writes about the fashion world next. Paging Miranda Priestly…&lt;/p&gt;</description>
      <pubDate>Sat, 31 Jan 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/get-the-picture/</guid>
    </item>
    <item>
      <title>Annotated Link: Poison Book Project</title>
      <link>https://en.wikipedia.org/wiki/Poison_Book_Project</link>
      <description>&lt;p&gt;For various reasons, older books were created or bound with materials that are poisonous. There is a project to find and catalog them all, and research ways to safely store toxic books&lt;/p&gt;</description>
      <pubDate>Mon, 26 Jan 2026 13:53:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/interesting/poison-books/</guid>
    </item>
    <item>
      <title>Book Review: The Last Intellectuals: American Culture In The Age Of Academe</title>
      <link>https://live.deanebarker.net/library/titles/last-intellectuals/</link>
      <description>&lt;p&gt;
   &lt;em&gt;&lt;strong&gt;TLDR:&lt;/strong&gt; “Sort of interesting, but maybe obsolete”&lt;/em&gt;
&lt;/p&gt;




&lt;p&gt;This book is from the late 80s, and it decries the loss of something that might not exist anymore &amp;ndash; or might exist so much that it&amp;rsquo;s simply no longer notable.&lt;/p&gt;
&lt;p&gt;The author is discussing the fate of &amp;ldquo;public intellectuals,&amp;rdquo; which are some of the great thinkers of the 20th century that would regularly be published in magazines and journals and books. His argument is that a lot of them have moved on to academia, since it&amp;rsquo;s a much safer business to be in.&lt;/p&gt;
&lt;p&gt;Apparently, the life of a &amp;ldquo;public intellectual&amp;rdquo; was under constant threat of poverty, and, in fact, one of the reasons he cites for their decline is that &amp;ldquo;bohemia&amp;rdquo; &amp;ndash; meaning cheap living conditions in cities like New York &amp;ndash; has largely disappeared. So a lot of them became university professors just to survive (note the subtitle).&lt;/p&gt;
&lt;p&gt;But, here&amp;rsquo;s the thing &amp;ndash; I&amp;rsquo;m not sure that a &amp;ldquo;public intellectual&amp;rdquo; is a notable thing anymore, because the internet and mass media have generated a &lt;em&gt;lot&lt;/em&gt; of them.&lt;/p&gt;
&lt;p&gt;Back in the 20th century, getting &amp;ldquo;published&amp;rdquo; meant something. If you were in a magazine or got a book published, that got you in front of people. This made you a &amp;ldquo;public intellectual.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;Well, fast forward a few decades, and &lt;em&gt;everyone is public now&lt;/em&gt;. The concept of being &amp;ldquo;public&amp;rdquo; in the past meant that you got past the gatekeepers: the magazine and book editors. Those barriers have largely been removed, which means the gatekeepers have really become the public, who decides to what they will pay their attention.&lt;/p&gt;
&lt;p&gt;So who is a public intellectual anymore? We have the talking heads on video media, but we also have podcasters now, and YouTubers and bloggers. Is &lt;a href="https://en.wikipedia.org/wiki/MrBeast"&gt;Mr. Beast&lt;/a&gt; a public intellectual, meaning someone who has opinions and is in the public sphere and who commands attention? Am I a public intellectual, considering that I&amp;rsquo;ve been &lt;a href="/blog/"&gt;regularly publishing my opinons&lt;/a&gt; in public for almost 25 years?&lt;/p&gt;
&lt;p&gt;What&amp;rsquo;s additionally odd about the book is the antipathy the author has for higher education, even though he is employed by it himself (he&amp;rsquo;s some professor at UCLA, I gather). There was a documentary just over a decade ago with the subtle title of &amp;ldquo;&lt;a href="https://www.imdb.com/title/tt2070707/"&gt;Velvet Prisons: Russell Jacoby on American Academia&lt;/a&gt;&amp;rdquo; which further expounded on his condescension over the university system (I tried to watch it, but it was painfully boring). He apparently thinks that tenure stifles opinions, and an intellectual who goes to work for such an institution is forever compromised. I found this a little weird.&lt;/p&gt;
&lt;p&gt;So, an interesting book, both because of the subject matter, and because of the perspective we have over it so many decades removed from when it was written.&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;The version I read had a new introduction that was written in 2000 to address some of the criticisms that had been leveled since it was published. However, I feel like this was far too early in the evolution of the internet and the coming changes to media for the author to totally understand how it was all going to play out.&lt;/p&gt;
&lt;/aside&gt;</description>
      <pubDate>Mon, 26 Jan 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/last-intellectuals/</guid>
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    <item>
      <title>Book Review: End Times: A Brief Guide to the End of the World</title>
      <link>https://live.deanebarker.net/library/titles/end-times/</link>
      <description>&lt;p&gt;
   &lt;em&gt;&lt;strong&gt;TLDR:&lt;/strong&gt; “Entertaining, not particularly deep”&lt;/em&gt;
&lt;/p&gt;




&lt;p&gt;I enjoyed this book, for what it was. I&amp;rsquo;m trying to get better about predicting the content and tone of a book before reading it, so I can better absorb it. I correctly predicted this one as a fun trip into some morbid scenarios, and that&amp;rsquo;s what it was.&lt;/p&gt;
&lt;p&gt;The author covers all sorts of ways the world might end, how it might happen, and what we&amp;rsquo;re doing about it. They are:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Asteroid impact&lt;/li&gt;
&lt;li&gt;Volcanic eruption&lt;/li&gt;
&lt;li&gt;Nuclear war&lt;/li&gt;
&lt;li&gt;Climate change&lt;/li&gt;
&lt;li&gt;Disease epidemic&lt;/li&gt;
&lt;li&gt;Bioltechnology (so, an &lt;em&gt;artificial&lt;/em&gt; disease)&lt;/li&gt;
&lt;li&gt;AI run wild&lt;/li&gt;
&lt;li&gt;Alien invasion&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Notably, the book was written in 2019, which means it was written without knowledge of (1) COVID-19, and (2) the huge advances in AI in the last five years. The author had no idea what was coming.&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;I&amp;rsquo;m reminded of this article, published in the NY Times six months &lt;em&gt;before&lt;/em&gt; COVID happened: &lt;a href="https://www.nytimes.com/2019/06/17/opinion/pandemic-fake-news.html"&gt;We Must Prepare for the Next Pandemic&lt;/a&gt;. The subtitle was: &amp;ldquo;We&amp;rsquo;ll have to battle both the disease and the fake news.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;Another prescient author who had no idea what was coming…&lt;/p&gt;
&lt;/aside&gt;
&lt;p&gt;Also, the threats fit along some different axes:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Instant (asteroid, volcano) and incremental (climate change)&lt;/li&gt;
&lt;li&gt;External (asteroid, aliens) and internal (and perhaps self-inflicted; nuclear war, AI)&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;Of all the things he wrotes about, climate change is the one clearly happening right now, so we&amp;rsquo;re in the middle of something that could effectively end the world.&lt;/p&gt;
&lt;p&gt;I was interested to note that volcanic eruption is one of the most devastating to happen in our history. The book refers to the &lt;a href="https://en.wikipedia.org/wiki/Youngest_Toba_eruption"&gt;Toba&lt;/a&gt; eruption in particular. Some scientists believe it created a 10-year &amp;ldquo;volcanic winter&amp;rdquo; in which volcanic ash obscured the sun, and it cooled the planet for up to 1,000 years afterwards.&lt;/p&gt;
&lt;p&gt;The author describes volcanic eruptions as &amp;ldquo;the Earth turning itself inside out,&amp;rdquo; which I thought was a creative way of putting it, and it&amp;rsquo;s genuinely pretty accurate. We don&amp;rsquo;t often think of the fact that the Earth is basically a hard shell around a seething ball of lava. Volcanos are holes in that shell. Imagine nuclear waste in a sealed container. Then punch a hole in it, and that&amp;rsquo;s about the truth of the situation.&lt;/p&gt;
&lt;p&gt;This was a fun book. I enjoyed it.&lt;/p&gt;</description>
      <pubDate>Thu, 22 Jan 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/end-times/</guid>
    </item>
    <item>
      <title>Book Review: Uncomfortable Conversations with a Jew</title>
      <link>https://live.deanebarker.net/library/titles/uncomfortable-conversations-jew/</link>
      <description>&lt;p&gt;
   &lt;em&gt;&lt;strong&gt;TLDR:&lt;/strong&gt; “Great content in an annoying-ish format”&lt;/em&gt;
&lt;/p&gt;




&lt;p&gt;Let&amp;rsquo;s get the format out of the way: this book is presented as a conversation between a Christian Black man and a Jewish woman. The man is a sportscaster and the woman is a Jewish activist. It is supposedly their dialectical about the struggles of being Jewish in the world today. Some years ago, the man wrote a similar book about being Black. (Also, his brother wrote &lt;a href="/library/titles/let-world-see-you/"&gt;this book&lt;/a&gt; about Christian faith.)&lt;/p&gt;
&lt;p&gt;I didn&amp;rsquo;t like the format. It seemed contrived and even cringey in places. I have no illusions that these two people actually had this conversation or said these things.&lt;/p&gt;
&lt;p&gt;But, besides that, it&amp;rsquo;s a good book.&lt;/p&gt;
&lt;p&gt;It covers Judaism from the very basics, starting with, What is a Jew? It talks about the trends and vibe of the Jewish religion, and the intersection between Judaism and race, including the sticky question of whether or not Jewish people are &amp;ldquo;White.&amp;rdquo; (It&amp;rsquo;s complicated, it turns out. People claim Jews are White or not White depending on the point they want to make.)&lt;/p&gt;
&lt;p&gt;The gist: being a Jew is not a race or ethnicity, but, clearly, Jewish people do tend to cluster in several ethnicities and racial backgrounds, simply based on where Judaism is popular as a religion. This is the same reason that Christians tend to be White because Christianity is the dominant faith in areas where lots of White people live.&lt;/p&gt;
&lt;p&gt;I found the book most interesting when it discussed the sources of Jewish stereotypes and discrimination. I&amp;rsquo;ve been interested in &lt;a href="/huh/jewish-moneylender/" data-no-index&gt;The Greedy Jewish Moneylender Stereotype&lt;/a&gt; for a while (see also: &lt;em&gt;&lt;a href="/library/titles/money-kings/" data-no-index&gt;The Money Kings&lt;/a&gt;&lt;/em&gt;). It turns out that my discussion in that article was pretty spot-on (re: the loaning of money between faiths), but Jews also trended towards banking and retail because they weren&amp;rsquo;t allowed to own property or work in factories, which I wasn&amp;rsquo;t aware of.&lt;/p&gt;
&lt;p&gt;She also pointed me to Exodus 34:29, which describes Moses after he received the Ten Commandments. It says (KJV):&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;…when he came down from the mount, that Moses wist not that the skin of his face shone while he talked with him.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Apparently, a Catholic translator back in 400 AD translated &amp;ldquo;shone&amp;rdquo; (as in &amp;ldquo;glowed&amp;rdquo;) as &amp;ldquo;grew horns.&amp;rdquo; This kick-started the idea that the Jews were somehow in league with the Devil. It also segued into the stereotype of the hooked Jewish nose, assisted by &lt;a href="https://www.nybooks.com/wp-content/uploads/2016/04/upper-margin-exchequer.jpg"&gt;a sketch in 1233&lt;/a&gt; showing the Devil tapping a Jew on the nose, described in &lt;a href="https://www.nybooks.com/online/2016/06/06/the-first-anti-jewish-caricature/"&gt;this commentary&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The earliest known anti-Jewish caricature is a sketch &amp;ndash; actually, an elaborate doodle &amp;ndash; in the upper margin of an English royal tax record from 1233. It shows three bizarre-looking Jews standing inside a schematic castle, which is being attacked by a host of cartoonish horned, beak-nosed demons. Another, larger demon in the center of the castle tweaks the freakishly long noses of two of the Jews, as if to underscore the resemblance between their profiles and his own.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The authors dig into the idea that Jews have a lot of power and control the world. There&amp;rsquo;s an interesting passage where the Black author recounts how all the powerful people in his life are Jewish. He&amp;rsquo;s in the entertainment industry, and almost every agent and person of power in his industry are Jewish. Additionally, he was an NFL player, briefly, and the owners of both the teams he played for were Jewish, as were the general managers.&lt;/p&gt;
&lt;p&gt;This comes back to the aforementioned reasons why Jews drifted into banking, finance, retail, law, etc. They were forced into certain industries &amp;ndash; including entertainment, or &amp;ldquo;Hollywood&amp;rdquo; &amp;ndash; because they were barred from others. Their success in those industries tended to make them wealthy, and in today&amp;rsquo;s world, wealth is power.&lt;/p&gt;
&lt;p&gt;Essentially, prejudice pushed Jews away from &amp;ldquo;real jobs&amp;rdquo; like farming and manufacturing. Consequently, they drifted into … &amp;ldquo;managerial jobs&amp;rdquo; (?), and, ironically, the Industrial Revolution then marginalized the &amp;ldquo;real jobs&amp;rdquo; and made the managerial jobs very powerful.&lt;/p&gt;
&lt;p&gt;Add to this the natural tendency for marginalized communities to be insular and over-achieving (see &lt;em&gt;&lt;a href="/library/titles/triple-package/" data-no-index&gt;The Triple Package&lt;/a&gt;&lt;/em&gt;), and the natural tendency of sour grapes and envy, and you get a perfect incubator for antisemitism.&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;I&amp;rsquo;m suddenly thinking about &lt;a href="https://www.youtube.com/watch?v=FBtWiVq6YRw"&gt;the shampoo commercial from the 80s&lt;/a&gt; with the woman (a young Kelly LeBrock, before she was Mrs. Steven Seagal) saying, &amp;ldquo;Don&amp;rsquo;t hate me because I&amp;rsquo;m beautiful…&amp;rdquo;&lt;/p&gt;
&lt;p&gt;Jews might say, &amp;ldquo;Don&amp;rsquo;t hate us because we played by the crappy rules you made up but still won…&amp;rdquo;&lt;/p&gt;
&lt;/aside&gt;
&lt;p&gt;The book was written just after the October 7 attacks. There is some drama between the two authors because the Black man had a Palestinian activist on his podcast… or something. I didn&amp;rsquo;t quite follow that, but the two authors had a big falling out which almost ended the project.&lt;/p&gt;
&lt;p&gt;This is related to a long discussion of the Holocaust and the case for Israel and its right to exist, and then naturally into the concept of Zionism and whether or not you can be anti-Zionist without being antisemitic.&lt;/p&gt;
&lt;p&gt;The Jewish author says there&amp;rsquo;s a three-pronged test for anti-semitism:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Does your statement generalize something to &lt;em&gt;all&lt;/em&gt; Jews?&lt;/li&gt;
&lt;li&gt;Does your statement use stereotypes?&lt;/li&gt;
&lt;li&gt;Does your statement blame the simple &lt;em&gt;existence&lt;/em&gt; of Israel, rather than specific &lt;em&gt;policies&lt;/em&gt; of the Israeli government?&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;She also makes a very interesting comparison to Pakistan.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Both countries were decolonized from Britain&lt;/li&gt;
&lt;li&gt;Both were created as safe haven for persecuted groups (Pakistan was meant to protect Indian Muslims)&lt;/li&gt;
&lt;li&gt;Both have frequent land disputes&lt;/li&gt;
&lt;li&gt;Both control religious sites of other faiths&lt;/li&gt;
&lt;li&gt;Both were created at about the same time&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Very few people outside that specific region complain about Pakistan. Yet, everyone seemingly has a position and opinion about Israel.&lt;/p&gt;
&lt;p&gt;As I said, this is a good book with a lot of good information. I didn&amp;rsquo;t love the format, but I&amp;rsquo;m wondering if maybe I found it engaging anyway? I seemed to really connect with the book and got a lot out of it, and maybe that&amp;rsquo;s because of the format? If the book was written more traditionally (by only the Jewish author, because she&amp;rsquo;s 85% of the content, really), would it have held my interest the same way? I don&amp;rsquo;t know.&lt;/p&gt;</description>
      <pubDate>Thu, 22 Jan 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/uncomfortable-conversations-jew/</guid>
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    <item>
      <title>Book Review: My Tiny Life: Crime and Passion in a Virtual World</title>
      <link>https://live.deanebarker.net/library/titles/tiny-life/</link>
      <description>&lt;p&gt;
   &lt;em&gt;&lt;strong&gt;TLDR:&lt;/strong&gt; “Slightly ponderous, but interesting”&lt;/em&gt;
&lt;/p&gt;




&lt;p&gt;This is the story of a journalist&amp;rsquo;s experience with &lt;a href="https://en.wikipedia.org/wiki/LambdaMOO"&gt;LambdaMOO&lt;/a&gt;, which was the original &amp;ldquo;chat room&amp;rdquo; of the early 1990s.&lt;/p&gt;
&lt;p&gt;A couple definitions &amp;ndash; &lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;A &amp;ldquo;MUD&amp;rdquo; was a &amp;ldquo;Multi-User Dungeon,&amp;rdquo; which was original a game-ish environment where you could move through a virtual space, described via text only.&lt;/li&gt;
&lt;li&gt;A &amp;ldquo;MOO&amp;rdquo; was a &amp;ldquo;(MUD) object-oriented,&amp;rdquo; which referred to a specific new method of technology and design of the original MUDs, but generally came to mean nothing more than a more advanced MUD.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;LambdaMOO was one of the original MOOs, originally founded at Xerox PARC. The author is a journalist who connects to the environment in the 1990s. He originally wrote a story called &amp;ldquo;&lt;a href="https://en.wikipedia.org/wiki/A_Rape_in_Cyberspace"&gt;A Rape in Cyberspace&lt;/a&gt;&amp;rdquo; on the cover of the &lt;em&gt;Village Voice&lt;/em&gt; in 1998 which detailed a specific event that happened in the MOO. A player hacked the system to force the virtual avatars of other players to engage in (and describe) sexual acts performed on his avatar.&lt;/p&gt;
&lt;p&gt;The fallout from this event, and the journalist&amp;rsquo;s subsequent adventures on the MOO turned into this book.&lt;/p&gt;
&lt;p&gt;Fundamentally, the book is about how we were all adapting to online life in the 1990s. It&amp;rsquo;s about the projection of our corporeal selves into virtual analogs, and how that affects us psychologically.&lt;/p&gt;
&lt;p&gt;Are we our virtual selves? Do our actions as our virtual selves reflect our real selves? Does an act performed virtually (the aforementioned &amp;ldquo;rape,&amp;rdquo; for example) carry the same weight as if performed physically?&lt;/p&gt;
&lt;p&gt;The writing style is very dramatic. The book reads kind of a like a novel, or a memoir. The journalist often compares and contrasts his adventures on the MOO with his relationship with his real-world girlfriend, and the idea of love, emotion, and sexual experience weigh pretty heavily on everything.&lt;/p&gt;
&lt;p&gt;The author spends a lot of time talking about &amp;ldquo;cybersex&amp;rdquo; (quoted, because there&amp;rsquo;s no settled definition of it). There&amp;rsquo;s a section where the author is determined to participate in cybersex, and has a debate with his girlfriend about whether or not it&amp;rsquo;s real sex and would constitute cheating. At some point, I believe he does go through with the act, but I skipped the last half of that chapter because it got cringey and really didn&amp;rsquo;t want to read about it.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;m fascinated by the history of technology, and specifically how humans have adapted to it. In this respect, the book is a good look at back when we were on the cusp of a revolution. In the late 90s, we were all moving swiftly online, and we were trying to figure out the relationship between our digital lives and our real lives, and wrestling with the confusion this brought about.&lt;/p&gt;
&lt;p&gt;So, I enjoyed that part of it. As a whole, however, the book can be a bit of a tedious read. It&amp;rsquo;s very memoir-ish, so it&amp;rsquo;s left to the reader to decide what &amp;ndash; if anything &amp;ndash; is to be learned from the experience.&lt;/p&gt;</description>
      <pubDate>Wed, 21 Jan 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/tiny-life/</guid>
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    <item>
      <title>January 17, 2026</title>
      <link>https://live.deanebarker.net/workouts/2026-01-17/</link>
      <description>&lt;p&gt;
    &lt;strong&gt;Est. Time:&lt;/strong&gt; 
    &lt;br/&gt;
    &lt;strong&gt;Gear:&lt;/strong&gt; bike, ab mat
&lt;/p&gt;

&lt;pre style="padding: 1em; background: rgb(240,240,240);"&gt;5x
---
25 Cal Bike
25 Sit-Ups
25' Inchworms w/ Push-Up
&lt;/pre&gt;





&lt;p&gt;The problem here was the inchworms: they are way spicier than you think they&amp;rsquo;re gonna be. I&amp;rsquo;m in the mood lately for bodyweight, yoga-ish stuff, and this qualifies.&lt;/p&gt;
&lt;p&gt;I made a rule that I couldn&amp;rsquo;t let my palms comes off the ground. Since I have &lt;em&gt;awful&lt;/em&gt; hamstring flexibility, this means I wasn&amp;rsquo;t getting very upright before I had to walk out again, which means I wasn&amp;rsquo;t covering a lot of distance on each rep. I think I was doing fully &lt;em&gt;seven&lt;/em&gt; inchworms to cover 25 feet, which is a lot considering that I&amp;rsquo;m six-foot-four.&lt;/p&gt;
&lt;p&gt;They work the shoulders and lower back a lot, which isn&amp;rsquo;t a common combination.&lt;/p&gt;</description>
      <pubDate>Sat, 17 Jan 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/workouts/2026-01-17/</guid>
    </item>
    <item>
      <title>January 10, 2026</title>
      <link>https://live.deanebarker.net/workouts/2026-01-10/</link>
      <description>&lt;p&gt;
    &lt;strong&gt;Est. Time:&lt;/strong&gt; 
    &lt;br/&gt;
    &lt;strong&gt;Gear:&lt;/strong&gt; Lots of sandbags
&lt;/p&gt;

&lt;pre style="padding: 1em; background: rgb(240,240,240);"&gt;Find all the sandbags and medicine balls you can
---
Move them 50', backwards (clean them over your shoulder)
Move them 50', forwards (clean them and shoot them like a basketball)
&lt;/pre&gt;





&lt;p&gt;My gym had eight throwable things: seven sandbags and one weighted medicine ball.&lt;/p&gt;
&lt;p&gt;I don&amp;rsquo;t know the exact weights of all of them. I know one of the sandbags weighs 120#, and there&amp;rsquo;s one that seems a bit heavier than that. On the other end, the lightest one is probably 40#.&lt;/p&gt;
&lt;p&gt;I lined them all up and worked down the row. I would throw each one, then start back at the beginning (always dreading the two heavy ones…). Towards the end of each stretch, I might have kept throwing one consecutively just to get it across the line.&lt;/p&gt;
&lt;p&gt;It look me 17:32 to get them 50-feet over my shoulder, going backwards. Then I rested a bit, and it took me 16:41 to get them back again, going forwards. So, the entire thing would have been about 34 minutes, but I rested quite a bit in the middle.&lt;/p&gt;
&lt;p&gt;This is a killer of a workout. Like I mentioned above, the heaviest sandbag is… 140#, maybe? That&amp;rsquo;s a lot to get over my shoulder, backwards. Going forwards, it&amp;rsquo;s even harder &amp;ndash; I can barely clean it, and it&amp;rsquo;s really hard to push forward. You kind of &amp;ldquo;fall forward&amp;rdquo; with it (I made up a rule that my feet couldn&amp;rsquo;t move while I was touching the sandbag; I had to push it off before I could lift a foot).&lt;/p&gt;
&lt;p&gt;The rubber medicine ball rolls, which is nice. But you have to be a little strategic about which ones you throw, because they start to get in each others&amp;rsquo; way. It&amp;rsquo;s especially infuriating when the medicine ball hits something else, and you get cheated out of some rolling distance.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;d like to get this to the point where I&amp;rsquo;m going back-to-back in under 35 minutes. But given how tough this is on the lower back, it&amp;rsquo;s not a workout I&amp;rsquo;m going to do that often.&lt;/p&gt;</description>
      <pubDate>Sat, 10 Jan 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/workouts/2026-01-10/</guid>
    </item>
    <item>
      <title>Annotated Link: How to repair the underside of a ship’s hull, still in the river, in -50˚C Yakutsk!</title>
      <link>https://eugene.kaspersky.com/2022/04/26/how-to-repair-the-underside-of-a-ships-hull-still-in-the-river-in-50%CB%9Ac-yakutsk/</link>
      <description>&lt;p&gt;It gets so cold in Siberia, that you can repair a ship&amp;rsquo;s hull by letting it freeze in a river, then cutting out the ice around it.&lt;/p&gt;</description>
      <pubDate>Tue, 6 Jan 2026 21:03:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/interesting/ship-repair-yakutsk/</guid>
    </item>
    <item>
      <title>Book Review: The Oppermanns</title>
      <link>https://live.deanebarker.net/library/titles/oppermanns/</link>
      <description>&lt;p&gt;
   &lt;em&gt;&lt;strong&gt;TLDR:&lt;/strong&gt; “Engrossing historical fiction”&lt;/em&gt;
&lt;/p&gt;




&lt;p&gt;I read this on the recommendation of a friend. I knew nothing about it, but I&amp;rsquo;m trying to lean more on recommendations.&lt;/p&gt;
&lt;p&gt;It&amp;rsquo;s a novel, written in the 30s, though I didn&amp;rsquo;t know that at the time. I thought it was contemporary.&lt;/p&gt;
&lt;p&gt;It tells of a year in the history of the Oppermann family &amp;ndash; a successful, high-achieving Jewish family living in Berlin in 1933. They own a furniture store which bears their name. One of the sons is a doctor, another is an author. They&amp;rsquo;ve all done very well in life.&lt;/p&gt;
&lt;p&gt;And then the National Socialists start to rise, and society changes. Hostility toward them grows. The family has to sell the store to a rival company with a non-Jewish name. Eventually everything they&amp;rsquo;ve worked for starts to unravel.&lt;/p&gt;
&lt;p&gt;The decline is slow at first, and then suddenly &amp;ndash; seemingly in a flash &amp;ndash; the pogroms start, and family members get carted away in the middle of the night to be accused of various invented crimes. Some of them end up in concentration camps. Some escape over the border.&lt;/p&gt;
&lt;p&gt;One of the younger family members gets a new teacher who is a budding Nazi. He assigns a subject about Arminius, a legend of Aryan history. When the student says something less than complimentary, the teacher humiliates him and demands a public apology, which ends in tragedy.&lt;/p&gt;
&lt;p&gt;All throughout, there&amp;rsquo;s a pervasive effort to humiliate Jews. Not only were they physically harassed, but they were constantly reminded of their second-class status. They had to sing Nazi songs, salute Hitler, and when the family store is picketed, the Nazi protesters have the gall to demand reimbursement for the cost of making the signs.&lt;/p&gt;
&lt;p&gt;The non-Jewish populace stood by while this happened, apparently hoping it would end soon. Some Gentiles stick up for them, but many others see it as not their problem. Others &amp;ndash; like the Gentile they have to sell the furniture store to &amp;ndash; might not hate the Jews, but their persecution is financially and socially beneficial all the same.&lt;/p&gt;
&lt;p&gt;The book brought back memories of the &lt;em&gt;&lt;a href="/library/titles/bonhoeffer/" data-no-index&gt;Bonhoeffer&lt;/a&gt;&lt;/em&gt; biography, which taught me that most of the German populace was horrified by the rise of the Nazis, but felt powerless and just hoped it would end soon.&lt;/p&gt;
&lt;p&gt;I love ensemble stories, and I really enjoy vast family histories (see &lt;em&gt;&lt;a href="/library/titles/whats-bred-in-the-bone/" data-no-index&gt;What’s Bred in the Bone&lt;/a&gt;&lt;/em&gt; for the Canadian version of this).&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;Clearly, there are some parallels to American politics today. If you don&amp;rsquo;t see similarities in what&amp;rsquo;s happened in this country, you&amp;rsquo;re just not paying attention.&lt;/p&gt;
&lt;/aside&gt;
&lt;p&gt;What&amp;rsquo;s really terrifying about all this is reading it and then learning it was written in 1933. This wasn&amp;rsquo;t a &lt;em&gt;history&lt;/em&gt; when it was written &amp;ndash; it was literally still happening at the time.&lt;/p&gt;</description>
      <pubDate>Tue, 6 Jan 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/oppermanns/</guid>
    </item>
    <item>
      <title>Book Review: The Five Dysfunctions of a Team: A Leadership Fable</title>
      <link>https://live.deanebarker.net/library/titles/five-dysfunctions-team/</link>
      <description>&lt;p&gt;
   &lt;em&gt;&lt;strong&gt;TLDR:&lt;/strong&gt; “Timeless lessons wrapped in good fiction”&lt;/em&gt;
&lt;/p&gt;




&lt;p&gt;This is technically a re-read for me, but it had been something like 20 years. My group at work read this together over the holidays, then discussed it.&lt;/p&gt;
&lt;p&gt;This is business fiction (&amp;ldquo;A Leadership Fable&amp;rdquo;), which is always tricky. Some of it is written so poorly.&lt;/p&gt;
&lt;aside&gt;&lt;p&gt;I remember a book called &amp;ldquo;Lead Without a Title&amp;rdquo; or something that I read a few years ago on a plane because I had nothing else to do. It was so cringeworth that it quite literally made me angry.&lt;/p&gt;
&lt;/aside&gt;
&lt;p&gt;But, thankfully, Lencioni is really, really good at this. The story is about a new CEO of a Silicon Valley startup. She leads her executive team through a series of off-site meetings to try and figure out why they don&amp;rsquo;t work together.&lt;/p&gt;
&lt;p&gt;There is drama. A couple executives bail out. Revelatons occur. People argue. And it all rings &lt;em&gt;so true&lt;/em&gt;. The conversations seems absolutely authentic to me &amp;ndash; I&amp;rsquo;ve been in multiple versions of all of them. There&amp;rsquo;s a lingering background tension because humans bring baggage to work with them. We just don&amp;rsquo;t usually talk about it.&lt;/p&gt;
&lt;p&gt;Here are the &amp;ldquo;five dysfunctions&amp;rdquo; of the title &amp;ndash; &lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Absence of Trust&lt;/li&gt;
&lt;li&gt;Fear of Conflict&lt;/li&gt;
&lt;li&gt;Lack of Commitment&lt;/li&gt;
&lt;li&gt;Avoidance of Accountability&lt;/li&gt;
&lt;li&gt;Inattention to Results&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;That list does it &lt;em&gt;zero&lt;/em&gt; justice, because Lencioni does such a great job of unpacking it all and putting it into context. You genuinely need to read the book because you can&amp;rsquo;t understand it comprehensively unless you read the &amp;ldquo;fable&amp;rdquo; that Lencioni has written.&lt;/p&gt;
&lt;p&gt;The underlying point is valid and true: we are humans. We suck, in many ways. We have emotional hangups that we bring with us to work, most of which we&amp;rsquo;re not willing to discuss. And the key to a great team is to bring this stuff out in to the open.&lt;/p&gt;
&lt;p&gt;(A lot of what he talks about was also mentioned in &lt;em&gt;&lt;a href="/library/titles/trillion-dollar-coach/" data-no-index&gt;Trillion Dollar Coach&lt;/a&gt;&lt;/em&gt;.)&lt;/p&gt;</description>
      <pubDate>Mon, 5 Jan 2026 00:00:00 -0600</pubDate>
      <guid isPermalink="true">https://live.deanebarker.net/library/titles/five-dysfunctions-team/</guid>
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